Les sciences de la musique - Symposium , Paris 2019
Forum IRCAM Workshops, Paris 2018
Composition musicale et modélisation harmonique des Soundscape Compositions (VIDEO)
Chant elliptique n°2 (2015/2016).
Scherzo for Celtic harp and electronics that emulates the gradual transformation of a monodic chant into a elliptical choir
La Rugosité de la Nuit (2016)
For accordion, synthetized track and electronics, "the roughness of the night" recreates a nightscape in Guayaquil
Estambre Urdido, for five percussionists (2017)
This composition symbolises the texture of a knitted thread bundle by means of a morphological acoustic exploration.
Turgescences, for flute, mandolin & guitar (2017)
This composition aims to highlight the possible harmonic co-existence of different acoustic events flowing from the same host sonic environment
Épenthèse, for bass clarinet and harp (2018)
This composition provides a framework for interpreting the acoustic niche hypothesis (Krause 1993), by means of stablishing a spectromorphological system for music writing